澳大利亚拟允许 AI 公司抓取创作者作品，Grayndler 选区艺术家反对

The prime minister is facing growing discontent within his own electorate as creatives push back against the federal government’s proposal to allow AI companies to scrape everything Australians create online.

Anthony Albanese’s seat of Grayndler in Sydney’s inner west is home to more than 3,000 cultural and creative businesses, and 10% of its workers are employed in cultural and creative fields – compared with 4.2% nationally.

He has held it on a safe margin for three decades, and has spoken of its high representation of live music, theatre and artist spaces with pride.

But now, as Labor considers giving AI companies access to Australian creatives’ works by default as it pursues a compromise with US tech giants, locals are reacting with dismay.

The federal government’s draft laws are expected by the end of the year, with consideration in parliament due in 2027.

Pete Strong says AI is ‘the wild west and we really need to push back’. Photograph: Liz Ham/The Guardian

Pete Strong is a screenprinter and Greens councillor for Bayside. His business is based in Grayndler, with his solar-powered wheelie bin sound systems a fixture around the inner west.

He said AI could be “good for humanity” but is now an “extraction industry mining for profit for the few”.

“I’m completely against [the federal government’s proposal],” he said.

“There’s obviously an AI gold rush at the moment, it’s the wild west and we really need to push back. It’s hard enough being a starving artist these days without having all your work taken and used in these nefarious ways.”

This year Strong curated a show called “overthrow the algorithm”. He has also been a vocal critic of a proposed datacentre at Cooks Cove.

“I’ve seen a backlash [to the government] already,” he said. “It started with the datacentre uprising.”

For the inner west designer and artist Lu Campbell-Smith, AI has been useful in her practice. But she said having to opt out was “outrageous”.

“It just really pinpoints how Australia’s [a] test market and they’re happy for us to just be a little resource to be exploited,” she said.

“Why would anyone want to make anything and post anything online if … you’re creating free content for an AI machine?”

Lu Campbell-Smith at her desk in Tortuga Studio’s co-working space called the aerie. Photograph: Liz Ham/The Guardian

Grayndler has always been an ultra-safe Labor seat. Albanese’s face as a much younger man is plastered on to cans of Albo Pale Ale at Willie the Boatman brewery in St Peters. For the past few elections, he has won on first preferences alone.

But at the next federal election, he will be challenged by 28-year-old Hannah Ferguson, the co-founder of Cheek Media, who will run as an independent.

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No sitting member has lost their seat from such a margin at a federal election. Were it not for the longstanding popularity of Albanese, Grayndler would have been a prime target for the Greens and progressive independents.

Now, Ferguson is betting that his popularity is waning. And polling indicates the same. Guardian Australia’s latest Essential poll shows Albanese’s disapproval rating at 56%, the equal highest since he took office.

A moss-covered computer artwork by Morgan-Harris sits beside the entry to the aerie. Photograph: Liz Ham/The Guardian

At Tortuga Studios and the aerie, one of the longest-running artist-led spaces in Sydney which operates out of an old brick factory in St Peters, the frustration is palpable.

H Morgan-Harris, an author, curator and director of the space, said there was a risk the Australian creative ecosystem could be “decimated”.

“This whole conversation always comes back to money,” she said, adding: “The artistic ecosystem is the bedrock of human interaction and human connection. And you risk our societal value by threatening it.”

Morgan-Harris’s copywriting industry has already been “heavily impacted” by AI, she said. Asked what her response was to the federal government’s latest proposal, she said it wasn’t “one you can print”.

“I just feel like artists are the first to be thrown under the bus,” she said.

“I think a lot of people were really excited when [Albanese] got into government, but there’s a yawning chasm in terms of the recognition, consideration and protection of the value of this sector. This honestly feels like the end of times to a lot of us.”

Tortuga Studios has been running for 19 years and provides a hub for artists, designers and craftspeople in Sydney’s inner west. Photograph: Liz Ham/The Guardian

Jason Zoidberg, a co-founder of Monster Mouse Studios in Marrickville, said the AI industry had already “without consequence” stolen the “collective labour” uploaded by artists. He said it was “utterly crazy” that the government was considering giving companies the green light to do so.

“It just feels insane that they’re like, ‘Yeah, please come and we want to invest in you,’ when we’ve seen all these horrible things that they’re doing,” he said.

If there is a flipside, Zoidberg said, he is witnessing a surge in interest in traditional, hands-on art forms.

“There’s a backlash in the inner west against social media and AI,” Zoidberg said. “So our workshops are actually getting more participants. But it is also just a niche, a little inner west bubble.”